
Sunday, February 14, 2010
Gateway Plaza

Wednesday, February 10, 2010
Housing and Communities Response

Monday, February 8, 2010
Makeshift Shelter (the process)
“We enjoy the process far more than the proceeds.”- Warren Buffett. This statement can be especially true for the second year studio’s Makeshift Shelter project. On the first day of the assignment students were separated into groups of four and five. My group was the Red Team. My team members were Hailey, Jeff, and Wesley. We were assigned the task of creating a “Makeshift Shelter” inspired by the late devastation in
On the second day of our group meeting I suggested a “dumpster dive.” This is where we would all leave the studio to find treasures that we could reuse. After our first pathetic attempt, I decided to research more. I recalled my childhood and my mother getting large cardboard boxes from local stores for me and my siblings to play in. this is a great idea for our project I thought; I shall do the same. I got a hold of a store manager at the local Joann Fabrics and he was more than happy to let us take several fabric boards off his hands. Further in my memory, I recalled a visit to the DC Zoo where they had an exhibit on how much waste we as humans create. I recalled a rather large globe filled with thousands of plastic bags. The globe represented one house hold of four’s yearly plastic bag waist. This is when I discussed with my group members that there had to be some use for plastic bags in our shelter. They agreed. After more memory searching and observational research, I decided that the space should also have a darker color palette. That is, if we could find materials that would allow us to do so. I thought a darker palette with intimate lighting would suite our shelter well because that was what I have seen in coffee shops and other hang-out settings. If I had to guess, I would say that darker color and lower lighting allow for feelings of intimacy and privacy in public spaces. This way our users would feel that the space was good for conversing. My group agreed with this idea but was still unsure about what materials we were going to use.
Friday, February 5, 2010
Case Study 1: Community Social


- Student housing Coop located on the University of California at Berkeley
- Opened 1904 by John Galen Howard
- Originally designed with 32 suites, each with its own stairway
- Fireproof walls and doors, which allowed the hotel to house refugees from the 1923 Berkeley fire
- Was owned as a hotel by James and Margaret Pierce for 42 years
- Used by university professors at one time
- 1946-USCA (University Students Cooperative Association) bought the house
- 1972-62 female students moved in making it Co-ed
- 1976-renovations allowed it to house 151 students
- Called the "Animal House" because of parties and drug use
- National Historic register #92001718


- 14 balconies overlook the courtyard, which allows residents to interact outside of private space
- Went from a hotel to a home for faculty and their families to a student coop
- Rivalries with surrounding fraternities (Beta Theta Pi)
- Muraled walls created by members
- Members promote individualism and self-expression
- Hold community service days
- Members of the Coop manage the community collectively
- The "U" shape structure encloses the residents from the rest of the campus
- Hold shows and concerts the bring the community together


- Opened 1927 as a 2,200 vaudeville theater
- At the time, considered to be the best between D.C. and Atlanta
- Holds films, performances, musicians, ballet, seminars, meetings, receptions and other public events
- On the National Resister of Historic Places
- popularity started to diminish in the 1960's due to suburban theaters
- United Arts Council raised money multiple times to keep the structure alive


- Interior designed in Greek fashion to give a fantastical experience
- Cost is affordable bringing people from all walks of life together
- "Going to the theater signifies participation in social life of the city" (Associates, 24)
- People arrive early and stay late in order to socialize, snack, and observe
- Builds up the neighborhood by bringing people to nearby businesses
- During the silent era, the audience would have sing-alongs
- Attracts 65,000 people downtown each year
- Exterior lighting-"At night provides unexpected warmth, a welcome haven in the dark city" (Specter Chapter 7)
- Stadium, balcony, and orchestra seating allows everyone to a good view, unifying the audience

Tuesday, February 2, 2010
Photoshop Exploration



Monday, February 1, 2010
Thursday, January 28, 2010
Haiti Design












